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Episode 51: Ambient Jazz House

Published on: 3rd February, 2023

This week the effort was a straight through composition. I wanted to break some patterns and try some new things. So I started writing this episode with experimentation in mind. One of the things I played around with was time signature changes. It starts in 4/4 then moves to 5/4 then to 2/4 before finally ending back in the comfortable 4/4 timing. I also went through some key changes, but that is not a new thing for me. 

Another thing that was experimental about this week, the entire episode is written as a a whole piece. So there are some chordal progressions which get repeated throughout as a motif. These were transcribed to fit the key changes. I did not change their timing when they were reapplied in the time change areas, because I wanted the broader and slow moving aspects of this motif to be retained.

There are symphonic type voice changes for the motif and other themes. By this, I mean that Ione synth or texture channel will carry that for a bit and then it shifts to another texture channel. Finally, because my trumpet chops need work, and playing is the best way to do this, I put a solo trumpet into the mix. Naturally, this is me, so the trumpet gets an effects chain of its own to make it slide into the textures and tones of the electronic music. 

One of the areas I really struggle with lately, is with my drum patterns. I could utilize some standard loops which come with Lopic Pro X but I want to write music from top to bottom. So, trying to create grooves with the e-drum kit take some work. There are places where I programmed the beats and there are places where I played the beats on the kit. I am confident as I progress with this podcast project that these will become more groove based and much tastier. 

Ultimately, I feel like this episode is a broad success. It gives the very ambient electronic vibe with strong elements of jazz improvisation. It does not venture too deeply into more hardcore electronic music and I feel like it will be a pleasure to listen to this on a drive home from work or whilst soaking in the tub. 

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About the Podcast

Living Room Music
I established this podcast as a personal writing challenge, aiming to continually push myself to explore the depths of music creation. To maintain this drive, I've set a self-imposed publishing deadline every Friday at 6 PM EST.
Rather than seeking fame or fortune, my main goal is to discover music that resonates with me, something I haven't experienced before. Throughout this journey, I immerse myself in a wide array of electronic music, drawing inspiration from various sources to infuse fresh ideas into my own compositions. I relish experimenting with novel techniques and tonalities, always on the lookout for unique sounds.
My work embraces the mathematical intricacies of music theory, exploring new ways to manipulate sounds and embracing the spirit of improvisation. Above all, my music is a celebration of joy and love for the creative process, capturing the essence of fun and passion in playing and crafting melodies.
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About your host

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Nathan Eckenrode

From the womb to the stage, N8K99's life has been a symphony of diverse musical experiences. His journey began with melodies echoing in his mother's womb during her piano recitals and evolved through debates over musical alphabets in kindergarten. N8K99's early classical training under his mother's tutelage seamlessly transitioned into a passion for the improvisational freedom of Free Jazz, idolizing legends like Maynard Ferguson, Miles Davis, and Chet Baker. His teenage curiosity led him to a pawn shop guitar, igniting a spark that would illuminate his path through various musical endeavors.
Post-Navy life found N8K99 in Jacksonville, Florida, where punk rock's raw energy collided with his burgeoning talent, resulting in a series of ephemeral bands. New York City called next, presenting a harsh reality of talent and competition. His days oscillated between roles as a PA, bike messenger, book mover, and the occasional subway busker, honing his skills in the city's vibrant music scene. A chance encounter with Wu Tang Clan during a jam session marked a turning point, embedding a sense of belonging within the industry's fabric.
N8K99's musical style defies categorization, a testament to his journey across genres and geographies. His sound is an eclectic blend, rooted in classical music theory, adorned with jazz improvisation, and electrified by electronic production. He finds solace and challenge in his podcast, "Living Room Music by N8K99," a weekly expedition into new musical territories, collaborating with local Hip Hop artists, exploring emotional tones, and experimenting with various modalities.
Despite his mastery, N8K99 remains the industry's "invisible man," focusing on the art rather than the fame. His elusive double album "Chromatic Depression" whispers of his presence in the digital music realm, but it's his dedication to the craft that truly defines him. N8K99's vision extends beyond personal acclaim; through Eckenrode Muziekopname, he aspires to elevate Jacksonville's local talent, creating a digital collective to champion and disseminate their artistry globally.
With his feet firmly planted in Jacksonville, N8K99 envisions a future of continued musical exploration with his band Radio Poets, his podcast, and EM. His ambition is not of glittering fame but of a sustainable, fulfilling musical journey, evolving as a Middle Class musician who navigates the industry's tides with a whimsical yet determined spirit.